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THE WARD WHO WALKED AWAY

  • Gênero: Romance
  • Autor: Flynn Tiamat
  • Capítulos: 60
  • Status: Em andamento
  • Classificação etária: 18+
  • 👁 5
  • ⭐ 7.5
  • 💬 0

Sinopse

For ten years, Eleanor Ashdown has been the poor relation at the bottom of a duke's table. She is the ward everyone calls slow, the girl who squints because she was never allowed spectacles, and the betrothed of London's most dazzling young statesman, Lord Valentine Merrion. He has never once remembered her birthday. He laughs when the season's beauty says she counts on her fingers. He has no idea that every figure behind his famous speeches came from her pencil. On her twenty-first birthday, Eleanor puts on a borrowed pair of spectacles, lays his family's pearls on the tablecloth, and walks away. She claims the fortune the duke tried to gamble, and she marries a plain-spoken Yorkshire engineer who offers her something no one ever has: honest work, true friendship, and a chance to be seen. Too late, Valentine realizes what he threw away. When he draws her into his political world, he makes her a promise. Then, on the most dangerous night of her life, he chooses his family's name over her. Seven years later, Eleanor has built a reservoir, a famous inn on the moors, and a life entirely her own. Then the most powerful man in Parliament stumbles out of a blizzard to her door. A failing dam looms above the valley and the spring thaw is coming. This time charm will not save him. Only his hands, his courage, and the truth told out loud will do. A sweeping Victorian romance about being overlooked, rising, and learning what it costs to be forgiven.

Chapter 1

On the evening of her twentieth birthday, Eleanor Ashdown sat at the far end of the Duke of Ardleigh’s dinner table, below the salt in everything but name, and watched a blur of gold that she knew to be Lord Valentine Merrion raise his glass to himself.

She could not see his face. She had not seen faces past the length of her own arm since she was eleven, and the table at Ardleigh House was twenty-two feet of white damask and silver, so the company at the upper end came to her as a kind of weather: the bright smear of the candelabra, the dark mass of the duke at the head, the pale column of the Duchess, the lilac movement that was Lady Clementine, and in the middle of it all the gold. Valentine’s hair took the light the way a bell takes a hammer.

“To the Board of Trade,” said the duke, and the company murmured it back, and Eleanor lifted her glass with the rest and set it down again without drinking. “And to the Under-Secretary, who will teach the railways to mind their manners.”

Laughter. A rustle of silk. Valentine said something too low for her to catch, and the laughter came again, warmer, the particular laughter that followed him through rooms. She had been listening to it for ten years. She could have charted its tides.

No one had said anything about the eleventh of March. She had not expected them to. Since her fourteenth birthday, which had fallen on a Tuesday and passed exactly like one, she had played a small hard game alone: she noted, as a surveyor notes a benchmark, the hour at which she could be sure the day had been forgotten. This year she had fixed it at a quarter past eight in the morning, when the Duchess’s maid came up with the day’s instructions for the linen and did not say many happy returns, which meant the Duchess had not said it to her, which meant the Duchess did not know. After that the rest of the day was only arithmetic.

She ate her soup. It had gone cold on its way down the table, as things generally did by the time they reached her.

“You are very quiet, Nell,” said a voice beside her, and she turned her head and brought the speaker into the small circle of her sight. Lady Cecily Danvers had been moved down the table between the fish and the entrée in a reshuffle that the Duchess had not ordered and Cecily had, and she sat now at Eleanor’s elbow in white silk with a spray of rosebuds in her dark hair, and up close she was what everyone said she was. The season’s beauty. Nineteen years old and certain of everything.

“I am listening,” Eleanor said.

“Are you? To what?”

“To Lord Valentine.”

“Ah.” Cecily’s mouth curved. She had a way of saying ah that did the work of a paragraph. “And do you follow it? The railways, and the Board, and the Bill?”

“Some of it.”

“How clever of you.” Cecily turned, smiling, to young Mr.Fane on her other side, and said in a voice pitched perfectly to carry up the table and not one inch farther, “Miss Ashdown follows some of it. I think that very brave. I have heard that poor Nell counts on her fingers.”

The laugh went up the table like a flame up a curtain. Clementine laughed because Clementine had been laughing at Eleanor since she was nine. Someone said oh, unkind, in the voice that means go on. And in the middle of the gold, Valentine laughed too. It was not a cruel laugh. It was the easy, inattentive laugh of a man who has heard a pleasant noise and joined it, the way a person hums along to a tune without knowing the words, and when it was done he went on with what he had been saying to his father about rolling stock, and did not look down the table at all.

Eleanor put her spoon into her cold soup and kept it there.

The thing about counting on one’s fingers, she thought, with the part of her mind that never stopped, was that it was a perfectly sound method. Ten fingers, a base of ten. The Babylonians had counted on the joints of their fingers in twelves and kept sixty in their heads. Her father had shown her the trick on the deck of the Fulmar when she was six, the ship heeling under them and the chart table sliding, his big tar-smelling thumb touching each joint of her small fingers in turn: one, two, three, the whole of arithmetic hidden in a child’s hand. She could have said so, lightly, and turned the laugh back on Cecily’s rosebuds.

She did not, because ten years in Ardleigh House had taught her that a dull girl who says one clever thing is not admired. She is watched. And Eleanor had a great deal she did not wish to be watched doing.

“You don’t mind, do you, Nell?” Cecily said, very softly, under the noise. “It’s only teasing.”

“I don’t mind,” said Eleanor.

The attic room at the top of Ardleigh House had been a nursery maid’s once, and it still had bars on the little window. Eleanor had been given it at ten because nobody else wanted it, and kept it at twenty because nobody thought to give her another. It was the one place in the house where she could see.

She latched the door and took off the Duchess’s castoff grey silk alone, because a poor relation does not rate a maid after nine o’clock. In her wrapper, with her hair down her back, she knelt by the sea chest at the foot of the bed.

It was her father’s chest. Oak, iron-bound, J. ASHDOWN, H.M.S. FULMAR burned into the lid. It held his logbooks, his letters, a broken pair of dividers she could not bear to throw away, and in the bottom, wrapped in a flannel petticoat, the current year’s Lady’s and Gentleman’s Diary, which she bought every December with the shillings she saved from the allowance the duke gave her for gloves.

She opened it on the bed under the candle and bent so close to the page that her nose nearly touched the paper, and there it was, as it had been every night for a week, because she could not stop looking: Answer to the Prize Question, by Philomath, of Westminster. Her answer. Her proof. Her figure, set in the printer’s careful wood, the circle and the chord and the tangent meeting where she had made them meet. She did not care about the prize. She cared that somewhere in England people who loved numbers had opened this little book and turned to this page and seen her work and not known she was a dull girl at the bottom of a duke’s table.

Tonight there was something else.

It had come with the afternoon post, addressed in the editor’s hand to Philomath, to be left at Mr.Hatchard’s, Piccadilly, by an arrangement made two years ago with a bookseller’s boy and a sixpence. Inside the editor’s cover was a second letter, folded small, sealed with a plain blob of wax and no device, and written in a hand she had never seen: a big, square, ugly hand, the hand of a man who wrote fast and did not care who read it.

Sir. Your solution to the Prize Question is the most elegant I have seen in the Diary in twelve years of reading it, and it is wrong in the fourth line.

Eleanor sat back on her heels.

You have assumed the chord bisected where it is only nearly bisected, the letter went on. The error is small. It would not matter in a drawing-room. It would matter a great deal in an embankment, where a small error at the top becomes a large one at the bottom and the bottom is where people live. I write not to quarrel but because a mind that can see the shape you saw ought to be told the truth about the one place it slipped, and I suspect nobody in your life is in the habit of telling you anything. Forgive the liberty. I enclose the correction.

Your servant, D.A.

There was a second sheet. She held it to the candle and read the correction once, and then again, with her heart going hard against her stays, and then she saw it: the fourth line, the small false step she had taken without noticing, as plain on the page as a dropped stitch.

He was right. He was entirely right.

She put her hand over her mouth, and for the first time all day, in the barred room where nobody had remembered her, Eleanor Ashdown laughed out loud.

Chapter 2

Everyone in London knew the story of how Eleanor Ashdown came to Ardleigh House, because the duke told it at dinner whenever the conversation flagged.

He told it well. Cowes week, 1829, the duke’s cutter Halcyon laid flat by a squall off Egypt Point, the duke under her mainsail in green water with his boots full, and out of nowhere a Navy survey cutter, H.M.S. Fulmar, and a lieutenant going over her side in his shirt with a line around his waist. “Ashdown,” the duke would say, and pause, and lower his voice. “Lieutenant James Ashdown. Charted half the coast of Africa and died of it. Pulled me up by the collar like a drowned dog. I told him, whatever you ask of me, it’s yours. He never asked a thing. Not until the end.”

The end had been a letter from Sierra Leone in the autumn of 1834, written in a hand gone loose with fever. Eleanor had read it many times since, in the sea chest. I leave a daughter, ten years old, and six thousand pounds in the Fund

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